It Is Claimed That Readers of Romance Books Have Great Sex Lives

this article the results of recent expert findings that claim people who read romance books or erotic novels have a much better sex life than people who do not. The article also discusses how romance novels can have a long term emotional effect on women, which can lead them to having an increase sexual desire.

There are plenty of people who enjoy reading a good book.While there are now other sources of entertainment,It Is Claimed That Readers of Romance Books Have Great Sex Lives Articles such as video games, sports or movies books and literature still remain a favorite hobby for millions of individuals.For example, there are plenty of people who enjoy reading Romance Novels and are always looking out for the next great book to come out.But many people dont have too much money to spend on their book purchases.Here are some tips that you can use to get great books without paying too much.1.Consider getting an e-reader and buy eBooks instead In the past year or so, e-reader devices like the Amazon Kindle and the Sony Reader have gotten a lot more popular due to the fact that they are a convenient way to read books anywhere you go.Not only are these devices quite practical, they can also help you save a lot of money on your book purchases.Electronic editions of books are usually far less expensive than paper copies, which can save you hundreds of dollars in the long run.There are many kinds of eBooks available for purchase online or free download, such as horror stories, Erotic eBooks, self-help books, cooking books, etc.2.ook for good deals on books online Many major book retailers, as well as so According to a popular life style magazine that is published in the United States, someone buys a romantic novel every 5 seconds.This makes them on of the most popular genre of book and for those people who are already trying to do the math that equates to nearly $1.5 billions worth of sale every year.It is no wonder that these sales figures are so high as the article in the same lifestyle magazine also claimed that people who buy Romance Bookscan have an increase in sexual desire and might find it a lot easier to be able to be in the right mood for sex than people who dont.The article went on to state that people who buy these types of books might also have sex with their husbands or boyfriends more regularly.Nobody really knows if these claims are true or not but there could be some thought behind these claims.It could be the case that these books make women fantasize more regularly and this could lead them to wanting to act out the fantasies they read about in the books.This could then lead them to want to have more fun or become a little bit more adventurous in the bedroom.Some women may consider reading Erotic Booksas a way of improving their naturally improving their sex drive.Many women could have been reading books of this kind for years as a way to help them increase their sexual appetite.Having said that, women dont always need to read about graphic or explicit sex scenes in order to become aroused; romantic books can also help to stimulate women emotionally and it could be this that attracts women to these books as it could leave them more open to the thought or idea of love making, rather than graphic imagery.It is these emotions or love, romance and happiness that could well be linked to a womans libido because they act to cause psychological changes to hormones within their body.It is the stirring of these emotions and hormones that could lead to them becoming a form of natural aphrodisiac and this could also help to explain why romantic books are so popular.Of course, all these things such as hormones, sexual appetite and erotic fantasies could have absolutely nothing to with so many women reading these types of books. The popularity of romantic or erotic books could just be down to the fact that they are so well written and that their stories really connect with the reader and keep them engage throughout the duration of the story.Whatever the reasonsArticle Submission, it doesnt look like their popularity is going to cease anytime websites such as often have special promotions on books for certain occasions, such as during the holiday season.You should definitely check out these sites to see if they have any special offers going on for the books that you are interested in buying.3.Sign up for promotional mailings from online book retailers If you like to buy Ro In years gone by books that have contained large elements of romance or eroticism have been amongst some of the most popular genres of books that people by over and over again.However, just recently some people have claimed that the popularity of these sorts of books might be starting to wane and the number of people who are reading or buying them could be on the decline.Debates of this kind can sometimes take place on social networking sites, on blogs or in local library groups or book clubs.Some people consider that this whole genre is in somewhat of a cold state at the moment.There are said to be a number of different reasons that attributed to this decline.Some commentators and readers of these types of books claim that one of the reasons could be that the genre itself has become diluted over recent years by books in other genres that also contain large elements of romanticism and eroticism in their books.These other genres include horror, historical, paranormal, science fiction and comedy.The fact that these other types of books now contain cross elements from other genres, particularly from romance and Erotic Books, has led to a blurring and sometimes misrepresentation regarding which genre the books should belong too.For example, books that have an element of comedy and romance are often called rom-coms.However, for a book that is about vampires, ghosts and demons, yet also contains a strong romantic or erotic angle to them is not so easy to determine what sort of genre it should fit into.Although these other genre of books do include erotic or romantic elements to their stories, some people might think that they do not convey all the emotions that a reader can fully embrace from reading Romance Books.Many people might think that it is only books of this kind that truly help a reader experience the feelings and emotions of a good romantic or erotic novel.As with many romantic books and especially in erotic novels, these books contain storylines and content that some people may consider to be far too graphic or sexual explicit for a regular story that was in a book of another genre.Another reason for the decline of these types of books could be because of the amount of pornographic material that is available online and which can be easily accessible.Where once someone would read a book in order to imagine their sexual fantasiesFree Web Content, they are now logging onto the internet and watching videos of their fantasies for real.Regardless of the apparent decline in this genre of literature there may still be a large number of people who enjoy reading these types of books and will continue to do so in the future.mance Books Online, or often shop for any other kind of books, then it would be a good idea to sign up for the newsletter of the websites which sell books online.That way, you will always be informed when they have discounts or special offers going on, such as 50 percent off certain merchandise, free shipping, etc.This way, you can get great deals on books delivered straight to your email.4.Buy used books instead Another way to save money on books is to buy them used, whether on the internet or offline.This can easily allow you to get many kinds of books, even some of the greatest romance novels ever published, at very low prices.You might get books that would normally sell for $40 or more if they were new at deeply reduced prices, such as $3 or $4 per book.If you want to shop online for used books, you can check out the auction site eBayScience Articles, as many people put listings of items that they no longer need there.

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The Future of the Book

One of the first acts of the French National Assembly in 1789 was to issue this declaration: “The free communication of thought and opinion is one of the most precious rights of man; every citizen may therefore speak, write and print freely.” UNESCO still defines “book” as “non-periodical printed publication of at least 49 pages excluding covers”.

Yet,The Future of the Book Articles have the innovations of the last five years transformed the concept of “book” irreversibly?

The now defunct BookTailor used to sell its book-customization software mainly to travel agents. Subscribers assembled their own, private edition tome from a library of electronic content. The emerging idiosyncratic anthology was either printed and bound on demand or packaged as an e-book.

Consider what this simple business model does to entrenched and age-old notions such as “original” and “copies”, copyright, and book identifiers. Is the “original” the final, user-customized book – or its sources? Should such one-copy print runs be eligible to unique identifiers (for instance, unique ISBN’s)? Does the user possess any rights in the final product, compiled by him? Do the copyrights of the original authors still apply?

Members of the community register their books in a central database, obtain a BCID (BookCrossing ID Number) and then give the book to someone, or simply leave it lying around to be found. The volume’s successive owners provide BookCrossing with their coordinates. This innocuous model subverts the legal concept of ownership and transforms the book from a passive, inert object into a catalyst of human interactions. In other words, it returns the book to its origins: a dialog-provoking time capsule.

Their proponents protest that e-books are not merely an ephemeral rendition of their print predecessors – they are a new medium, an altogether different reading experience.

Consider these options: hyperlinks within the e-book to Web content and reference tools; embedded instant shopping and ordering; divergent, user-interactive, decision driven plotlines; interaction with other e-books using Bluetooth or some other wireless standard; collaborative authoring, gaming and community activities; automatically or periodically updated content; multimedia capabilities; databases of bookmarks, records of reading habits, shopping habits, interaction with other readers, and plot-related decisions; automatic and embedded audio conversion and translation capabilities; full wireless piconetworking and scatternetworking capabilities; and more.

In an essay titled “The Processed Book”, Joseph Esposito expounds on five important capabilities of e-books: as portals or front ends to other sources of information, as self-referencing texts, as platforms being “fingered” by other resources, as input processed by machines, and e-books serving as nodes in networks.

E-books, counter their opponents, have changed little beyond format and medium. Audio books are more revolutionary than e-books because they no longer use visual symbols. Consider the scrolling protocols – lateral and vertical. The papyrus, the broadsheet newspaper, and the computer screen are three examples of the vertical kind. The e-book, the microfilm, the vellum, and the print book are instances of the lateral scroll. Nothing new here.

E-books are a throwback to the days of the papyrus. The text is placed on one side of a series of connected “leaves”. Parchment, by comparison, was multi-paged, easily browseable, and printed on both sides of the leaf. It led to a revolution in publishing and, ultimately, to the print book. All these advances are now being reversed by the e-book, bemoan the antagonists.

The truth, as always, is somewhere in mid-ground between derision and fawning.

The e-book retains one innovation of the parchment – the hypertext. Early Jewish and Christian texts as well as Roman legal scholarship were inscribed or, later, printed, with numerous inter-textual links. The Talmud, for instance, comprises a main text (the Mishna) surrounded by references to scholarly interpretations (exegesis).

Whether on papyrus, vellum, paper, or PDA – all books are portable. The book is like a perpetuum mobile. It disseminates its content virally, by being circulated, and is not diminished or altered in the process. Though physically eroded, it can be copied faithfully. It is permanent and, subject to faithful replication, immutable.

Admittedly, e-texts are device-dependent (e-book readers or computer drives). They are format-specific. Changes in technology – both in hardware and in software – render many e-books unreadable. And portability is hampered by battery life, lighting conditions, or the availability of appropriate infrastructure (e.g., of electricity).

The printing press technology shattered the content monopoly. In 50 years (1450-1500), the number of books in Europe swelled from a few thousand to more than 9 million. And, as McLuhan noted, it shifted the emphasis from the oral mode of content distribution (i.e., “communication”) to the visual mode.

E-books are only the latest application of age-old principles to new “content-containers”. Every such transmutation yields a surge in content creation and dissemination. The incunabula – the first printed books – made knowledge accessible (sometimes in the vernacular) to scholars and laymen alike and liberated books from the tyranny of monastic scriptoria and “libraries”.

E-books are promising to do the same.

In the foreseeable future, “Book ATMs” placed in remote corners of the Earth would be able to print on demand (POD) any book selected from publishing backlists and front lists comprising millions of titles. Vanity publishers and self-publishing allow authors to overcome editorial barriers to entry and to bring out their work affordably.

The Internet is the ideal e-book distribution channel. It threatens the monopoly of the big publishing houses. Ironically, early publishers rebelled against the knowledge monopoly of the Church. The industry flourished in non-theocratic societies such as the Netherlands and England – and languished where religion reigned (the Islamic world, and Medieval Europe).

With e-books, content is once more a collaborative effort, as it has been well into the Middle Ages. Knowledge, information, and narratives were once generated through the interactions of authors and audience (remember Socrates). Interactive e-books, multimedia, discussion lists, and collective authorship efforts restore this great tradition.

Authors are again the publishers and marketers of their work as they have been well into the 19th century when many books debuted as serialized pamphlets in daily papers or magazines or were sold by subscription. Serialized e-books hark back to these intervallic traditions. E-books may also help restore the balance between best-sellers and midlist authors and between fiction and non-fiction. E-books are best suited to cater to neglected niche markets.

E-books, cheaper than even paperbacks, are the quintessential “literature for the millions”. Both erstwhile reprint libraries and current e-book publishers specialize in inexpensive books in the public domain (i.e., whose copyright expired). John Bell (competing with Dr. Johnson) put out “The Poets of Great Britain” in 1777-83. Each of the 109 volumes cost six shillings (compared to the usual guinea or more). The Railway Library of novels (1,300 volumes) costs 1 shilling apiece only eight decades later. The price proceeded to dive throughout the next century and a half. E-books and POD resume this trend.

The plunge in book prices, the lowering of barriers to entry aided by new technologies and plentiful credit, the proliferation of publishers, and the cutthroat competition among booksellers was such that price regulation (cartel) had to be introduced. Net publisher prices, trade discounts, and list prices are all anti-competitive practices of 19th century Europe. Still, this lamentable period also gave rise to trade associations, publishers organizations, literary agents, author contracts, royalties agreements, mass marketing, and standardized copyrights.

The Internet is often perceived to be nothing more than a glorified – though digitized – mail order catalogue. But e-books are different. Legislators and courts have yet to establish if e-books are books at all. Existing contracts between authors and publishers may not cover the electronic rendition of texts. E-books also offer serious price competition to more traditional forms of publishing and are, thus, likely to provoke a realignment of the entire industry.

Rights may have to be re-assigned, revenues re-distributed, contractual relationships reconsidered. Hitherto, e-books amounted to little more that re-formatted renditions of the print editions. But authors are increasingly publishing their books primarily or exclusively as e-books thus undermining both hardcovers and paperbacks.

Luddite printers and publishers resisted – often violently – every phase in the evolution of the trade: stereotyping, the iron press, the application of steam power, mechanical typecasting and typesetting, new methods of reproducing illustrations, cloth bindings, machine-made paper, ready-bound books, paperbacks, book clubs, and book tokens.

Without exception, they eventually relented and embraced the new technologies to considerable commercial advantage. Similarly, publishers were initially hesitant and reluctant to adopt the Internet, POD, and e-publishing. It is not surprising that they came around.

Printed books in the 17th and 18th centuries were derided by their contemporaries as inferior to their laboriously hand-made antecedents and to the incunabula. These complaints are reminiscent of current criticisms of the new media (Internet, e-books): shoddy workmanship, shabby appearance, and rampant piracy.

The first decades following the invention of the printing press, were, as the Encyclopedia Britannica puts it “a restless, highly competitive free for all … (with) enormous vitality and variety (often leading to) careless work”. There were egregious acts of piracy – for instance, the illicit copying of the Aldine Latin “pocket books”, or the all-pervasive book-bootlegging in England in the 17th century, a direct outcome of over-regulation and coercive copyright monopolies.

Shakespeare’s work was repeatedly replicated by infringers of emerging intellectual property rights. Later, the American colonies became the world’s centre of industrialized and systematic book piracy. Confronted with abundant and cheap pirated foreign books, local authors resorted to freelancing in magazines and lecture tours in a vain effort to make ends meet.

Pirates and unlicensed – and, therefore, subversive – publishers were prosecuted under a variety of monopoly and libel laws and, later, under national security and obscenity laws. Both royal and “democratic” governments acted ruthlessly to preserve their control of publishing.

John Milton wrote his passionate plea against censorship, Areopagitica, in response to the 1643 licensing ordinance passed by the British Parliament. The revolutionary Copyright Act of 1709 in England decreed that authors and publishers are entitled to exclusively reap the commercial benefits of their endeavors, though only for a prescribed period of time.

The never-abating battle between industrial-commercial publishers with their ever more potent technological and legal arsenal and the free-spirited arts and craftsmanship crowd now rages as fiercely as ever in numerous discussion lists, fora, tomes, and conferences.

William Morris started the “private press” movement in England in the 19th century to counter what he regarded as the callous commercialization of book publishing. When the printing press was invented, it was put to commercial use by private entrepreneurs (traders) of the day. Established “publishers” (monasteries), with a few exceptions (e.g., in Augsburg, Germany and in Subiaco, Italy) shunned it as a major threat to culture and civilization. Their attacks on printing read like the litanies against self-publishing or corporate-controlled publishing today.

But, as readership expanded – women and the poor became increasingly literate – the number of publishers multiplied. At the beginning of the 19th century, innovative lithographic and offset processes allowed publishers in the West to add illustrations (at first, black and white and then in color), tables, detailed maps and anatomical charts, and other graphics to their books.

Publishers and librarians scuffled over formats (book sizes) and fonts (Gothic versus Roman) but consumer preferences prevailed. The multimedia book was born. E-books will, probably, undergo a similar transition from static digital renditions of a print edition – to lively, colorful, interactive and commercially enabled objects.

The commercial lending library and, later, the free library were two additional reactions to increasing demand. As early as the 18th century, publishers and booksellers expressed the – groundless – fear that libraries will cannibalize their trade. Yet, libraries have actually enhanced book sales and have become a major market in their own right. They are likely to do the same for e-books.

Publishing has always been a social pursuit, heavily dependent on social developments, such as the spread of literacy and the liberation of minorities (especially, of women). As every new format matures, it is subjected to regulation from within and from without. E-books and other digital content are no exception. Hence the recurrent and current attempts at restrictive regulation and the legal skirmishes that follow them.

At its inception, every new variant of content packaging was deemed “dangerous”. The Church, formerly the largest publisher of bibles and other religious and “earthly” texts and the upholder and protector of reading in the Dark Ages, castigated and censored the printing of “heretical” books, especially the vernacular bibles of the Reformation.

It even restored the Inquisition for the specific purpose of controlling book publishing. In 1559, it issued the Index Librorum Prohibitorum (“Index of Prohibited Books”). A few, mainly Dutch, publishers ended up on the stake. European rulers issued proclamations against “naughty printed books” of heresy and sedition.

The printing of books was subject to licensing by the Privy Council in England. The very concept of copyright arose out of the forced recording of titles in the register of the English Stationer’s Company, a royal instrument of influence and intrigue. Such obligatory registration granted the publisher the right to exclusively copy the registered book – or, more frequently, a class of books – for a number of years, but politically constrained printable content, often by force.

Freedom of the press and free speech are still distant dreams in most parts of the earth. Even in the USA, the Digital Millennium Copyright Act (DMCA), the V-chip and other privacy-invading, dissemination-inhibiting, and censorship-imposing measures perpetuate a veteran though not so venerable tradition.

The more it changes, the more it stays the same. If the history of the book teaches us anything it is that there are no limits to the ingenuity with which publishers, authors, and booksellers, re-invent old practices. Technological and marketing innovations are invariably perceived as threats – only to be upheld later as articles of faith. Publishing faces the same issues and challenges it faced five hundred years ago and responds to them in much the same way.

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A Bookworm’s Delight: A1 Books and Bigger Books for Books and Magazines

When it comes to buying books and magazines online, you can check out two very popular websites that offer books and magazines at a discount. These sites are A 1 Books and Bigger Books. Both of them are websites that are devoted to selling both books and magazines for a discounted price. Both of these sites offer online coupon codes that are made to save you even more money.

When it comes to buying books and magazines online,A Bookworm’s Delight: A1 Books and Bigger Books for Books and Magazines Articles you can check out two very popular websites that offer books and magazines at a discount. These sites are A 1 Books and Bigger Books. Both of them are websites that are devoted to selling both books and magazines for a discounted price. Both of these sites offer online coupon codes that are made to save you even more money.

Payment Methods at A1 Books and Bigger Books

A1 Books allows you to pay for your items through Paypal, a convenient method of payment for many people, especially those who sell products online. Paypal is a subsidiary of eBay and is an online banking and merchant account that enables sellers to accept credit cards as well as check payments. Many retail websites offer the convenience of payment through Paypal for their customers and A1 Books is one such site.

Bigger Books does not offer Paypal as a method for purchase, but does accept all credit cards, including American Express. If you have an American Express credit card and want to make a purchase for discounted books, you can consider purchasing at Bigger Books.

More Books for Less at A1 Books and Bigger Books

Do not shop at either of these online stores before checking out the online coupon codes for A1 Books and Bigger Books as these coupons can save you money from your entire purchase. You simply have to checkout through the store shopping cart and enter the coupon code prior to paying for your items.

Both of these online stores offer discounted books as well as clearance books that are marked down to even lower than average prices. You can also find other products at A1 Books, including some tools, patches and household items when you shop at this store. To the contrary, Bigger Books is almost exclusively all books and magazines.

Making it Easy at A1 Books and Bigger Books

Both A1 Books and Bigger Books are easy sites to navigate. You can use the menu on the website to figure out which books you want to look for when you are shopping on these sites. Both of these sites not only offer print media books, but also e-books. Many of the books that are featured on these websites are non-fiction books, with a great deal of them being self-help books. They tend to offer books that are a little bit less mainstream than those that are featured at sites like Amazon and other popular booksellers that operate online.

Anyone who is interested in getting a good deal when it comes to books, especially non-fiction self help books, should take a look at the offerings at A1 Books and Bigger Books. Both of these sites have shopping carts available that can keep track of your order so that you can shop around to make sure that you are getting the best deal. Before placing an order for books at either of these sites, be sure to check out the online coupons so that you can get a discount. By shopping diligently at these two stores for books, you can get quality books and magazines for less money than you would pay in an off line store.

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